Sciam explains here the significance Mondrian gave to the center of the composition in some Cubist paintings:
![]() |
![]() |
![]() |
![]() |
44.8 |
44.9 |
37 |
38 |

![]() |
![]() |
![]() |
![]() |
44.11 |
44.12 |
44.13 |
45 |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
C 45 |
C 45 Diagram |
According to Mr. Janssen and Mr. Tempel the above was of no interest.













